I'm in trouble.
All the places that I need to finish my portfolio have closed for the Christmas period.
The scanner place, to scan my large A0 pieces of artwork, will not be opening until 6th Jan; the art colleges won't reopen until 7th Jan. Way pass the deadline of 3rd Jan!!!!!
I've only got two decent pieces that is up to scratch. Where am I going to find a nude model for the other pieces, and what about the animals? I suppose I can go to a pet store - or sit in at the vet's around the corner.
Crap, how am I going to get myself out of this mess?
I really sit down and think about this.
All or Nothing! My Last ditch attempt in trying to get onto CALARTs Character Animation Program
Saturday, 21 December 2013
Tuesday, 17 December 2013
CALARTS Portfolio Checklist - Part 1 'Let's get serious - I mean you are really running out of time'
From what I can gather, there are three main sections; Human Nudes e.g life drawings; Animals and Environments.
Below is an Excel Spreadsheet of what I think CALARTS would love to see within the drawings such as Shape, Form, contour eg. I know that CALARTS or any animation insitution is big on gesture, so I've included some form of movement. I have also made a note of the lenght of poses and the medium so at least I know that I am producing a range of drawings.
You will notice that so far, I think, that I have managed to satisfy at least 5 of the 15 drawings needed. I got at least a good two weeks to pull something out of my ass. I've got my weekly life drawing this Saturday, so hopefully I should produce some really good pieces.
In the meantime, I need to concerntrate on my weakest point, environments/ landscapes. The main reason why I don't like it, is that it takes forever - you need at least several sittings just to capture the details - and then you have the added problem of what you are going to draw / how can you make a landscape with a lonely tree interesting? At least CALARTS has given us clues something with, ambience, mood and depth.
For one of exteriors, it had to be a view of my hometown, Daggers. I particularly liked the view from the library, 2nd floor. Perhaps sound a little pervy, but you can observe people, how they walk, how they talk and look at each other, how they dressed, and how they react with one another. I don't know why it's fascinating - it's just is.
For the interior it had to be the inside of a church. Again, I didn't know why as I never attended the catholic church around the corner from where I live. The insider was beautiful, it felt peaceful, it was welcoming and warm. It was also noticeable how a few people looked distressed, there was an underlying feeling of anixety, fear perhaps of what is going to happen next. Capturing this is going to take several sittings as I want to make sure I do the picture justice. Unfortunately, the outside of the church just looked plain - it did'nt have a presence - I suppose the saying 'never judge a book by it's cover' holds true.
For my second interior has to be my bedroom. I don't know what sort of amibience or feeling my room creates. I know it doesn't have depth. So perhaps may not be the right choice. Any way I'm signing off to think about what else I can capture.
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